THE OLIVIER AWARD-WINNING “BEST NEW MUSICAL” FURTHER EXTENDS BOOKING THROUGH TO 23 MAY 2020
TODAY MARKS THE 300TH PERFORMANCE OF THE HIT MUSICAL IN THE UK AND ITS 300,000TH VISITOR
THE PRODUCTION IS TO PARTNER WITH CENTREPOINT AS COMPANY ‘SLEEPS-OUT’ FOR CHARITY
As hit musical Come From Away celebrates its 300th performance and 300,000th visitor in the UK, the Olivier Award-winning “Best New Musical” announces that it will further extend its hugely successful run in the West End until 23 May 2020.
This joyous musical tells the remarkable true story of 7,000 stranded air passengers during the wake of 9/11, and the small town in Newfoundland that welcomed them. Cultures clashed, and nerves ran high, but as uneasiness turned into trust, music soared into the night and gratitude grew into enduring friendships.
On 11 September 2001 the world stopped. On 12 September, their stories moved us all.
To honour the kindness and stewardship shown by the people of Newfoundland, the London company of Come From Away is pleased to announce a partnership with homeless charity Centrepoint. The partnership will include a gala performance on 7 November as well as members of the Come From Away team joining the Centrepoint ‘sleep-out’ on 21 November, to raise awareness and vital funds for the charity’s good work.
To sign up and join the team sleeping-out on 21 November, visit: www.sleepout.org.uk
To donate to the fundraising page, please visit: www.justgiving.com/campaign/sleepout-come-from-away
The multi award-winning musical continues sold-out, record-breaking engagements on Broadway, in Canada, in Australia and on a 60-city North American Tour. It has recently been announced that a tour of China will commence in Shanghai from May 2020, and a feature film adaptation is in the works.
The cast of Come From Away in the West End includes Jenna Boyd (Beulah and others), Nathanael Campbell (Bob and others), Clive Carter (Claude and others), Mary Doherty (Bonnie and others), Robert Hands (Nick, Doug and others), Helen Hobson (Diane and others), Jonathan Andrew Hume (Kevin J, Ali and others), Harry Morrison (Oz and others), Emma Salvo (Janice and others), David Thaxton (Kevin T, Garth and others), Cat Simmons (Hannah and others) and Rachel Tucker (Beverley, Annette and others) with Chiara Baronti, Mark Dugdale, Bob Harms, Kirsty Malpass, Tania Mathurin, Alexander McMorran, Brandon Lee Sears and Jennifer Tierney.
Under the Musical Direction of Alan Berry (Keyboard/Accordion/Harmonium), the band includes Matt Bashford (Whistles/Irish Flute/Uilleann Pipes), Aoife Ní Bhriain (Fiddle), Oli Briant (Electric, Acoustic and Nylon Guitars), Ray Fean (Bodhrán/Percussion), Joey Grant (Electric Bass/Acoustic Bass), Justin Quinn (Acoustic Guitar/Mandolins/Bazouki) and Ian Whitehead (Drums/Percussion).
Come From Away features a book, music and lyrics by Irene Sankoff and David Hein and is directed by Christopher Ashley, with musical staging by Kelly Devine, music supervision and arrangements by Ian Eisendrath, scenic design by Beowulf Boritt, costume design by Toni-Leslie James, lighting design by Howell Binkley, sound design by Gareth Owen, hair design by David Brian Brown, orchestrations by August Eriksmoen, and casting by Pippa Ailion CDG and Natalie Gallacher CDG.
In addition to winning 4 Olivier Awards (London) including “Best New Musical”, Come From Away has scooped multiple awards all across North America: the Tony Award for “Best Direction of a Musical”, 5 Outer Critics Circle Awards (NYC) including “Outstanding New Broadway Musical”, 3 Drama Desk Awards (NYC) including “Outstanding Musical”, 4 Helen Hayes Awards (Washington DC) including “Outstanding Production of a Musical”, 4 Los Angeles Drama Critics’ Circle Awards, 4 Gypsy Rose Lee Awards (Seattle) including “Excellence in Production of a Musical”, 6 San Diego Critics Circle Awards including “Outstanding New Musical”, 3 Toronto Theatre Critics Awards including “Best New Musical”, 3 Dora Awards (Toronto) including “Outstanding New Musical/Opera” and “Outstanding Production”, and the 2017 Jon Kaplan Audience Choice Award (Toronto).
Come From Away was originally co-produced in 2015 by La Jolla Playhouse and Seattle Repertory Theatre, and presented in 2016 by Ford’s Theatre in Washington DC and Mirvish Productions at the Royal Alexandra Theatre in Toronto, Canada, all in partnership with Junkyard Dog Productions. Come From Away (NAMT Festival 2013) was originally developed at the Canadian Music Theatre Project, Michael Rubinoff Producer, Sheridan College in Oakville, Ontario, Canada, and was further developed at Goodspeed Musicals’ Festival of New Artists, in East Haddam CT. The Canada Council for the Arts, the Ontario Arts Council and the 5th Avenue Theatre in Seattle WA also provided development support.
Come From Away is produced in the UK by Junkyard Dog Productions and Smith & Brant Theatricals. The European premiere of Come From Away was co-produced with the Abbey Theatre, Ireland’s National Theatre.